![]() Lukas Gage got rimmed by Murray Bartlett in The White Lotus and savored a golden shower in You, but that’s child’s play compared to Down Low. ![]() Lane fuses diaristic insight and journalistic inquiry for a look at a modern medical development told through the lens of self-discovery. But Confessions of a Good Samaritan contains more than you ever thought you’d want to know about the ethics, legality, and history of organ donation - and it’s fascinating. The premise sounds straightforward: She’s decided to give a kidney to a stranger as an act of altruism. Confessions of a Good SamaritanĪfter making savory documentaries about Kenny G, the Satanic Temple, and Richard Nixon, Penny Lane has turned the camera on herself. Mary Tyler Moore spent her career promoting liberation, and this lovely documentary directed by James Adolphus ( Soul of a Nation) encapsulates how her work on The Dick Van Dyke Show, The Mary Tyler Moore Show, and beyond advanced that cause. Being Mary Tyler Mooreīeing Mary Tyler Moore opens with footage of its beloved subject defending a woman’s right to forge a life outside the home to a skeptical TV interviewer - a man, of course. Miranda Yousef’s film is too thoughtful to be a mere takedown, proffering an even-handed debate about whether he should be taken more seriously by an art Establishment that has scorned him. Thanks to his daughters, some of those paintings are seen here for the first time, telling a very different story than the one Kinkade told about himself. When he died in 2012, the prolific artist left behind a trove of work that departs dramatically from the pastoral warmth for which he’s known. But that’s not the juiciest part of Art for Everybody, an engaging documentary that investigates the Kinkade mythos. The self-appointed “painter of light,” whose schmaltzy nature scenes made him especially popular in Christian households, built a well-marketed empire before sliding into bankruptcy and alcoholism. Art for Everybodyĭon’t tell Granny, but Thomas Kinkade had a dark side. He’s a captivating subject, combining gentle humor and poignant melancholy to create this tearjerker of a documentary that won SXSW’s jury prize. Angel Applicant, gracefully directed by Meyer himself, is part memoir and part art history. Meyer found comfort in the work of Paul Klee, a gifted abstract artist who developed the same condition not long after he fled Nazi Germany in the 1930s. He’d been a promising art student and musician, and suddenly the shape of his life changed. In 2000, Ken August Meyer was diagnosed with a rare autoimmune disease that hardened his skin, changed his facial features, and posed threats to his organs. It’s funny, lively, and tense - not to mention a showcase for Matt Damon, Chris Tucker, Chris Messina, and Funny Pages’ Matthew Maher. We all know what came of that, but Ben Affleck, who directed and stars as Nike CEO Phil Knight, has turned the brand’s pursuit of Jordan into a thrilling underdog saga. She’s the soul of the movie, playing Michael Jordan’s savvy mother as the rising basketball legend fielded sponsorship offers from Nike, Adidas, and Converse in 1984. The audience cheered throughout Air, especially when Viola Davis was doing the talking. Film festivals tend to be front-loaded, but SXSW’s closing night was one of its most enthusiastic.
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